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  1. 26 Dec ‘Star Wars: The Last Jedi’ Scene Causes Few AMC Theaters to Post Warning. UPDATED: As many aspects of “Star Wars: The Last Jedi” provoke strong fan reactions, a few AMC theaters were forced to respond to one of Rian Johnson’s directorial choices. AMC has previously been.:
    In December , the production team of this film and Rogue One: A Star Wars Story () went to Mexico City, Mexico looking for filming locations, specifically at Iztapalapa and Tlahuac boroughs. It was later confirmed that some scenes for both films would be filmed in Mexico City, but due to some trouble with the local. 17 Dec The third and final metric is box-office numbers, which allow us to quickly contextualize the film's financial standing. In this case, The Last Jedi can boast the second-biggest opening ever, just behind The Force Awakens. With a muscular $ million in tickets worldwide and $ million in the U.S. alone. 16 Dec “Star Wars: The Last Jedi” is already making a killing at the box office as it heads to an opening weekend north of $ million, which means thousands of “Star Wars” fans are finally learning more about what happened to Luke Skywalker. Mark Hamill reprises his iconic role in “The Last Jedi” and has one.
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I assume you don't get assigned to Kilo Ren's squad if you're a totally crap soldier. Considering the tantrums Kylo throws in TFA and how violent he gets with his own people, maybe they throw him the scrubs they don't mind losing. He's never been violent to his own people as far as we saw.

He destroys equipment, but Vader is the one who kills soldiers. In one of the comics, he came to oversee the training of Palpatine's Imperial Guards. One suggested they were the best warriors ever and couldn't be stopped. Vader laughed, promptly booted one off a cliff and said something to the effect of, "Hah. You're not going to be defeating anyone.

Phasma was probably really looking forward to hearing about how many villagers Finn killed. This guy gets it. I'm not even being facetious or anything; I'm tired of people saying to reference the screenplay when there's contradictions between that script and the movie. If they're going to use it as canon, they should use it as canon and clean it up its inconsistencies! Well, having someone with huge potential become a traitor can cause quite some rage. You could get away with it by saying it's her personality.

This is the guy that threw her into a trash compactor and made her drop shields at gunpoint. Phasma's spite makes sense. Finn is my favorite new character, so I wanted to like this line, I really wanted to like it Unless I'm forgetting something this was the first time anyone said the word "rebel" in the new film, so it's just a payoff without a proper setup.

Like the golden dice too, yeah it's technically set up but not properly. I didn't even know about the golden dice and I have seen the star wars trilogy maybe times. They just setting up some more tie-in for the Han movie.

Everything is starting to feel really really forced in this franchise. I don't think that was even the point, it was just a way of getting finn to state his side definitely.

This interpretation makes it more interesting, but if this was the intended message of that plot and a majority of people didn't get that out of it, that's the movie's fault - not the audience's. I also find it a bit odd that the man who abandoned the other side of this conflict because they wanted him to massacre innocent civilians, and then is saved no questions asked by the other side multiple times is finally taught the importance of siding with good because some people are cruel to space horses.

Yep when people complain about the story lacking and the characters that are hollow, this is an example of what we are talking about. Because all it took to save the horses was to set them free.

Same deal with Qui-Gon on Tatooine But they do leave those slaves with hope for the future. That's kinda the point of the ending. When Finn arrives at the resistance base the first thing Leia says is "I'd love to help you but first we need to ask you lots and lots of questions.

I can understand the desire to do this, given that the alternative is to simply give up and accept that the sequel trilogy is essentially a giant wasted opportunity.

Ya see, I'm kinda confused on the timeline. The resistance plot takes place in like, 6 hours, but when watching the film I was under the impression that the Rey and Luke stuff took place over a couple days, but I don't know how it matches up with Kylo and the first order.

Why are they even evacuating considering the First Order has been completely devastated at the end of The Force Awakens? In the old canon the Empire hit Yavin base immediately following the Deathstar attack forcing a hasty retreat.

Their fleet itself wasn't really hurt at all from the events of TFA. Starkiller Base was filled with personnel and stormtroopers… we see them all gathered when they fire the weapon. The Force Awakens gives the audience no perspective on the size and scope of the First Order.

When I saw the trailers for The Last Jedi, I was genuinely curious as to why there was even a space battle. And the audience must accept all of this without explanation. Only time and focus groups will tell…. I was hoping more for a fair, all out war. But we got another death star and then the usual Empire like First Order.

And their stormtroopers are supposed to be trained from birth and all that crap unlike the Empire but we havent really seen them do much of anything. First Order commanders are mostly incompetent either.

Hux taking the lead of course. I left TLJ thinking, "man, I can't think of anything that I'd remove from the movie outright because almost all of it seemed necessary, but it just felt like a mess. It also speaks to the writers' incompetence as they couldn't find a way to fit a Finn arc into the events of the movie without inserting a second smaller movie into it.

I didnt see it like that, and its a valid point. However my main issue with Finn in this subplot was that his character is so inconsistent with his character in TFA. Rose shouldnt have to point out why everthing was wrong on the casino planet. She shouldnt have to point out how the empire uses child slaves. Because Finn WAS a child slave conscripted into the empire. His whole arc in TFA was breaking away from the first order because it was all that he had known and he saw it as morally wrong.

But in the last jedi he conveniently forgets all of this just so Rose can point it out to him. It doesnt make any sense to me. I could be wrong, but I thought Finn was initially mesmerised by the superficial appearance of the Casino, the glamour, the money, the fun.

It wasn't until they walk onto the balcony overlooking the racing track is when Rose explains the whole situation. It's similar to DJ explaining how both the First Order and Resistance both bought weapons from the arm dealers. It makes sense since he was sheltered within the First Order his whole life. He wanted to run away from the First Order in TFA until his friendship with Rey grew so strong that he had to go to the base to get her back.

He was never a part of the Resistance, he just wanted to get Rey. He still is being selfish by just thinking about himself and Rey. The casino subplot teaches him to not just think of himself and his loved ones, but all the people who are oppressed.

Rose is a true Rebel and Finn learns how to become a Rebel from her. He grows as a character by official declaring himself as a Rebel and willing to sacrifice himself for the cause, not just Rey. I understood everything you've said while I was watching the movie, but at the same time I couldn't bring myself to care about it. In the first movie we have an attractive woman convince him that it's good to stick with your friends. Then in the second movie we have an attractive woman show him it's good to stand up for your principles.

Something to make him more like Han where he's weighing his options on whether he should stay or go. Instead he's just trying to save his not-girlfriend so we get to watch him do some self discovery to get his own motivations.

DJ showed more internal conflict when he said "Maybe," than Finn did the whole film. I really liked Boyega in Attack the Block and I hope he gets a badass arc in the next movie, but he's far and away my least favorite of the main characters now.

In TFA he isn't coming around the Resistance. He's actively trying to run away from it. He's just trying to save Rey because she is the first person he's ever met that has treated him like a real person. He explains this himself in TFA. In the future, read the other replies and see if someone else already said what you wanted to say. He was going to melt before he accomplished anything.

His speeder was barely moving, which is how Rose was even able to catch him. I honestly think people misinterpreted that scene on purpose to justify further hatred of Rose. Not that I loved her but it really surprised me how much people straight up despise her. It was pretty heavily implied with his melting ship that his sacrifice was going to be a pointless one, which lines up with Poe's leadership arc and the difference between a meaningful sacrifice and badly thought out heroics.

I didn't really hate Rose until that scene. That scene made me look back on all her other scenes as much worse retrospectively. Easily one of the worst scenes. The writing was prequel-esque cheesy. Especially that clunky monologue - Rose may as well have broken the fourth wall and looked at the audience while she delivered it.

Nah, I don't think a lot of people are willfully getting details wrong; that sort of thing usually works in movies.

But the casino planet wasn't run by the first order, it was just a planet of rich people wasn't it? So she wasn't pointing out the first order had slaves, and for him it was the realisation the galaxy has problems outside the first order.

She's kinda everything wrong with the sequel trilogy, she looks really cool and everyone's really excited to see her character. But then in the first movie she does literally nothing, then in the second movie her character is scrapped and we were all wondering why she was a character to begin with. A character who has very little screen time, doesn't do a great deal and is mainly popular because of how they look?????

General Grievous has quite a lot of screen time compared to your other examples though. He was an alright villain imo. The film just failed to develop him however. Fett, Maul, and Grevious all actually did stuff in their films, and their characters were looming presences and legit threats to the heroes. Nothing about her is intimidating, or threatening. She just showed up randomly to get her ass kicked by Finn. Boba Fett was pretty big in the marketing for Empire too.

They introduced him in the christmas special for a reason. People dislike Darth Maul's wasted character and hate Boba Fett's unceremonious death, so the dislike of Phasma's treatment shouldn't be surprising to you. The thing that gets me is all the merchandise and advertisement with her on it. She wasn't even a minor character. She's somewhere far below that. Yet they had a lot of merchandise with her and toys of her. It makes no sense. They did absolutely nothing with her character. She was a generic, order taking bad guy who died.

That might have been the intention. Still poorly executed, though. And the "best line in the whole movie" is "Rebel scum"? Give me a break, it was a cheesy one-liner. Don't even get me started on "chrome-dome". Even the "crystal critters" line. A lot of it reeked of a fourteen year old's fanfic writing. Everyone I've mentioned this to treats it like nitpicking, but it's all so glaring and winge-inducing. A line I really hated on my last viewing was Rose's "I wish I could put my fist through this lousy, beautiful town.

The only thing this did was make me even more disappointed in this part of the movie. The problem isn't really the "plot" itself, much like the peequels, it's the execution. The storyline as scripted and executed just doesn't fit with the rest of the movie.

Everything is rushed and forced just to make a statement about greed and oppression. I think that's a valid statement to be made, it was just poorly executed, took too long, and basically devolved into a Paul Blart Canto Cops distraction from the rest of the movie.

Not a silver bullet fix, but with some other execution improvements, Johnson could have gotten his social justice message across, exposed the audience to a new aspect of the galaxy, and not bogged down the film for 30 collective minutes. The only part of Canto Bight that I liked was Benicio Del Toro, especially when he shows Finn that these so-called horrible patrons of the casino make their money selling to both sides, FO and Resistance.

That was like the only part of the movie where I was like "oh shit! Alright this is reaching BvS level of "You just don't get it man here's a novel that explains it to you".

You took the words right out of my mouth. The entire time I was reading this, all I could think of was the part of this Batman v Superman analysis which describes, at length, just how powerful and moving the infamous "Martha! When people criticize a film which had good intentions, it's seldom because "they just don't get it". It's because they're dissatisfied with the way that the film executed those good intentions.

A film can have the best intentions in the world and still fail if the execution is poor. If backlash gets so bad or is widespread enough that you have to explain it with an essay to mind cannon out the nuances with deep critical analysis and coloring, then that is a sign that it failed whatever it was supposedly going for.

The "Rebels" are the remnants of the legitimate government that was wiped out somehow along with the entire Republic Military days ago. The First Order is not a government, it is a military. My issue with TLJ is that it makes no sense. TFA got a slight pass because of the blitzkrieg approach. Everything happened so fast that it made sense for there to be little to know organized resistance to Starkiller.

The "Rebels" calling for help and being ignored tells me that they are all that remains of the Republic, that Starkiller managed to destroy every scrap of the legitimate government in this sector of the galaxy. No fleets on deployment, no squadrons off planet Every ship except what the Rebels had at that one base was destroyed in a single stroke. Imaging someone - not another country mind you, a group of nutjobs with a nuke - blew up the US government. Somehow killing every member of the US government at once.

What would be the the global reaction? Would the rest of the world sit there and do nothing? The whole premise makes no sense, and the Casino is the least of the issues. To me the issue was the congruence with the universe as a whole.

We've seen rich people many times in cloud city, naboo and other places and never do they wear suits like that scene. Just felt waaaay out of place. It was hamfisted enough. I've heard fans say the Canto Bight scenes moved too slow, and some say they were too fast.

I don't know what would have worked better than what we got tbh. I can almost understand the criticisms, but I can't pin down why I would agree with them.

The sequencess worked for me, so I'm not going to try too hard to find reasons to dislike it, and on the other hand the variety of criticisms directed at Canto Bight make it difficult to defend. The issue I have with it the most is the payoff. They failed but it wasn't a very climatic failure. It made the whole thing feel kinda pointless.

Obviously with Star Wars there are some plot pieces you just have to accept to not truly make sense and be lucky other wise we'd be very nitpicky over everything but this plot's lucky events felt too lucky. Then nothing has to make sense, because everything can be explained via the force. I felt so relieved once they got off that island, I was getting pretty bored of it by then.

Just the same location for too long. Canto was a bit pointless but I still enjoyed watching it. You can advance the plot AND develop characters at the same time.

If you need to bring the entire film to a halt to develop two characters then that's just bad writing. The entire sequence felt like filler episode of the Clone Wars. I get what the point was. I just hated that how it was played out and had no impact on the plot. Coupled with the weird out of place aesthetic of the casino and the ridiculous escape scene, it was the worst part of the movie. The worst part for me is that in order to force this casino sequence we are supposed to acknowledge that the First Order, a hugely powerful militaristic force on the brink of controlling the entire Galaxy, cannot for the life of them call up some ships to blow up a transporter which is somehow faster than them, and will instead prefer to pursue them for over 16 boring hours.

Flynn and Rose manage to visit the casino, get locked up, escape and fly back to the Supremacy and somehow the First Order can't get some faster ships to join them and blow up a transport carrying the entire leadership of the Resistance including Leia?

It makes zero sense. It's like, all about socialism like crushing the evil capitalistic American empire, and the animals are like totally the spirit of gaia living on in the hearts of the agricultural class at they like overthrow the rich If you can cut an entire subplot from the movie and it doesn't change a single thing about the outcome then I don't care how many words you try and use to dress it up.

It just doesn't work. It was totally redundant. Were it removed I would probably have forgiven everything else wrong with the film. If you cut out this subplot, DJ doesn't betray them to the First Order, and the transports leaving to Crait aren't discovered. We wouldn't have had Holdo's last stand or the Battle on Crait. If plot points of a movie need so much explaination to convince people it was "good", then maybe the negativity is valid.

Im kind of tired of people having to explain why Star Wars is good. It shouldn't need a long explanation for why it isn't shitty. This is a great explanation of that scene. But still, I ccouldn't help but think as I watched it as well as when Rose and Finn escape on the weird animal that this would be the part that I would fast forward if I were watching at home.

I personally really disliked the scene for a number of reasons that had nothing to do with Finn. If that played a role in his decision to identify with the Rebels, great, but it was an awful lot of preachy side-plot for "one more point toward Finn being a good guy instead of neutral.

Also, the idea that the casino and it's crowd are "everything wrong with the universe" is absurd considering they are only there to escape a group set on conquering the galaxy and wiping out entire solar systems at a time. This guy's tweet did a good job summing up exactly why that scene felt so out of place. Why the hell are we there shaming rich people and animal abusers in such an over the top fashion when they should be frantically searching for a way to stop everybody they know from getting blown up by an actual antagonist?

When I watched the scene I was confused, but the more people try to defend it, the more I realize why I dislike it so much. Man was it bad. Pretty sure most people understand that the Casino subplot is development for Finn. The dude already had deep personal motivation to want to fight against the First Order baked into his character.

But did Luke really die? At the very least, he could still appear again via Force ghost, joining some of the very same Jedi that made him such a powerful warrior.

And what about those Force ghosts? Perhaps even to his grandson, the dastardly Kylo Ren, who seems to have completely missed the message his beloved grandfather was trying to deliver during his own dying moments: Kylo has long been fixating on the evil blood coursing through his veins, a short-sighted read on what it means to be a Skywalker if there ever was one.

General Hux Domnhall Gleeson will likely continue to push back on Kylo when he can, maybe even to the point where he gathers his own army to rally against their unpredictable de facto leader. With Supreme Leader Snoke dead, other evil-doing Dark Side types might even attempt to toss out Kylo Ren, who has so far been unable to gather any loyal supporters to form anything so much as resembling friends or even just counselors.

What happened to those other Jedi trainees that Kylo took off with after his universe-changing battle with his one-time Master Luke? Are any of them still around? And, seriously, are any of them interested in being a pal to the man who liberated them?

The rebels have friends, they just need to show up. Now that Poe and Rey have finally met, perhaps they might mingle in a decidedly friendly manner.

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Meanwhile, Holdo was apparently absent for all of that. I don't buy the "she's important, she doesn't need to tell anyone. Excluding that information is bad leadership on Holdo's part. Finn has already seen the cruelty of the empire firsthand. He likely suffered at least as much in his childhood as the slave children in the casino. There are several times in The Force Awakens where they confirm that all of the First Order's stormtroopers were kidnapped as children and brainwashed.

So yeah, they're a slave army. Ah, but that's exactly it. His experience is in a place where all the cruelty is on the surface.

He's never come across the idea that something could be all fancy and glitzy and a bunch of people running around having fun could in fact be built on an evil underside instead of his experience, which is that evil is a sterile authoritarianism and a boot on your face. He wasn't learning that evil exists, he was learning that all that glitters isn't gold, and that you can't escape evil simply by escaping the First Order.

It would have been nice if Finn and Rose would have learned some piece of information about the First Order while lurking around the star destroyer, that would have proved useful later on Crait. I'm hoping that the line about the weapons developers selling to both the First Order and the Resistance will come back into play for Ep 9 for this reason.

We also met DJ, and who knows: I for one throughly enjoyed how del Toro played him. Depends if you think focusing on character development is a problem. Same reason why some people don't like Better Call Saul. The plot might move quite slow, but the characters continually develop in interesting ways.

I think this movie really needed to develop the characters, which it did. Of course character development isnt a problem, but the plot didnt need to be so contrived to accomplish it.

I think almost every character arc was really interesting and well thought out but the plot itself was still weak and awkward. I honestly don't understand the backlash against TLJ. I went in expecting it to be awful and came out loving it, despite the flaws in the film.

Too many interesting subplots and story choices for me to hate it. That last scene was unexpected, and very appreciated. The biggest flaw in the movies, compared to things like Clone Wars or even Rebels, is that it doesn't feel connected to a larger universe. The ending to the story won't have the same impact if they don't develop them in the middle. This is what I think. We heard a couple times that the Resistance would be the spark that ignites the rebellion. Finn and rose's arc is that spark.

Which the finale shots seem to imply, the kids and others are the embers of those sparks. But the thing is.. He was top of his class in training, and Phasma has stated in the novels that she had high hopes for him to be one of the best stormtroopers.

I assume you don't get assigned to Kilo Ren's squad if you're a totally crap soldier. Considering the tantrums Kylo throws in TFA and how violent he gets with his own people, maybe they throw him the scrubs they don't mind losing. He's never been violent to his own people as far as we saw. He destroys equipment, but Vader is the one who kills soldiers. In one of the comics, he came to oversee the training of Palpatine's Imperial Guards. One suggested they were the best warriors ever and couldn't be stopped.

Vader laughed, promptly booted one off a cliff and said something to the effect of, "Hah. You're not going to be defeating anyone.

Phasma was probably really looking forward to hearing about how many villagers Finn killed. This guy gets it. I'm not even being facetious or anything; I'm tired of people saying to reference the screenplay when there's contradictions between that script and the movie. If they're going to use it as canon, they should use it as canon and clean it up its inconsistencies! Well, having someone with huge potential become a traitor can cause quite some rage. You could get away with it by saying it's her personality.

This is the guy that threw her into a trash compactor and made her drop shields at gunpoint. Phasma's spite makes sense. Finn is my favorite new character, so I wanted to like this line, I really wanted to like it Unless I'm forgetting something this was the first time anyone said the word "rebel" in the new film, so it's just a payoff without a proper setup.

Like the golden dice too, yeah it's technically set up but not properly. I didn't even know about the golden dice and I have seen the star wars trilogy maybe times. They just setting up some more tie-in for the Han movie. Everything is starting to feel really really forced in this franchise.

I don't think that was even the point, it was just a way of getting finn to state his side definitely. This interpretation makes it more interesting, but if this was the intended message of that plot and a majority of people didn't get that out of it, that's the movie's fault - not the audience's. I also find it a bit odd that the man who abandoned the other side of this conflict because they wanted him to massacre innocent civilians, and then is saved no questions asked by the other side multiple times is finally taught the importance of siding with good because some people are cruel to space horses.

Yep when people complain about the story lacking and the characters that are hollow, this is an example of what we are talking about. Because all it took to save the horses was to set them free.

Same deal with Qui-Gon on Tatooine But they do leave those slaves with hope for the future. That's kinda the point of the ending. When Finn arrives at the resistance base the first thing Leia says is "I'd love to help you but first we need to ask you lots and lots of questions. I can understand the desire to do this, given that the alternative is to simply give up and accept that the sequel trilogy is essentially a giant wasted opportunity.

Ya see, I'm kinda confused on the timeline. The resistance plot takes place in like, 6 hours, but when watching the film I was under the impression that the Rey and Luke stuff took place over a couple days, but I don't know how it matches up with Kylo and the first order.

Why are they even evacuating considering the First Order has been completely devastated at the end of The Force Awakens? In the old canon the Empire hit Yavin base immediately following the Deathstar attack forcing a hasty retreat. Their fleet itself wasn't really hurt at all from the events of TFA. Starkiller Base was filled with personnel and stormtroopers… we see them all gathered when they fire the weapon.

The Force Awakens gives the audience no perspective on the size and scope of the First Order. When I saw the trailers for The Last Jedi, I was genuinely curious as to why there was even a space battle.

And the audience must accept all of this without explanation. Only time and focus groups will tell…. I was hoping more for a fair, all out war. But we got another death star and then the usual Empire like First Order. And their stormtroopers are supposed to be trained from birth and all that crap unlike the Empire but we havent really seen them do much of anything. First Order commanders are mostly incompetent either.

Hux taking the lead of course. I left TLJ thinking, "man, I can't think of anything that I'd remove from the movie outright because almost all of it seemed necessary, but it just felt like a mess. It also speaks to the writers' incompetence as they couldn't find a way to fit a Finn arc into the events of the movie without inserting a second smaller movie into it.

I didnt see it like that, and its a valid point. However my main issue with Finn in this subplot was that his character is so inconsistent with his character in TFA. Rose shouldnt have to point out why everthing was wrong on the casino planet. She shouldnt have to point out how the empire uses child slaves. Because Finn WAS a child slave conscripted into the empire. His whole arc in TFA was breaking away from the first order because it was all that he had known and he saw it as morally wrong.

But in the last jedi he conveniently forgets all of this just so Rose can point it out to him. It doesnt make any sense to me. I could be wrong, but I thought Finn was initially mesmerised by the superficial appearance of the Casino, the glamour, the money, the fun. It wasn't until they walk onto the balcony overlooking the racing track is when Rose explains the whole situation.

It's similar to DJ explaining how both the First Order and Resistance both bought weapons from the arm dealers. It makes sense since he was sheltered within the First Order his whole life.

He wanted to run away from the First Order in TFA until his friendship with Rey grew so strong that he had to go to the base to get her back. He was never a part of the Resistance, he just wanted to get Rey. He still is being selfish by just thinking about himself and Rey. The casino subplot teaches him to not just think of himself and his loved ones, but all the people who are oppressed.

Rose is a true Rebel and Finn learns how to become a Rebel from her. He grows as a character by official declaring himself as a Rebel and willing to sacrifice himself for the cause, not just Rey. I understood everything you've said while I was watching the movie, but at the same time I couldn't bring myself to care about it. In the first movie we have an attractive woman convince him that it's good to stick with your friends.

Then in the second movie we have an attractive woman show him it's good to stand up for your principles. Something to make him more like Han where he's weighing his options on whether he should stay or go.

Instead he's just trying to save his not-girlfriend so we get to watch him do some self discovery to get his own motivations. DJ showed more internal conflict when he said "Maybe," than Finn did the whole film. I really liked Boyega in Attack the Block and I hope he gets a badass arc in the next movie, but he's far and away my least favorite of the main characters now. In TFA he isn't coming around the Resistance. He's actively trying to run away from it. He's just trying to save Rey because she is the first person he's ever met that has treated him like a real person.

He explains this himself in TFA. In the future, read the other replies and see if someone else already said what you wanted to say. He was going to melt before he accomplished anything. His speeder was barely moving, which is how Rose was even able to catch him. I honestly think people misinterpreted that scene on purpose to justify further hatred of Rose. Not that I loved her but it really surprised me how much people straight up despise her. It was pretty heavily implied with his melting ship that his sacrifice was going to be a pointless one, which lines up with Poe's leadership arc and the difference between a meaningful sacrifice and badly thought out heroics.

I didn't really hate Rose until that scene. That scene made me look back on all her other scenes as much worse retrospectively. Easily one of the worst scenes.

The writing was prequel-esque cheesy. Especially that clunky monologue - Rose may as well have broken the fourth wall and looked at the audience while she delivered it. Nah, I don't think a lot of people are willfully getting details wrong; that sort of thing usually works in movies. But the casino planet wasn't run by the first order, it was just a planet of rich people wasn't it?

So she wasn't pointing out the first order had slaves, and for him it was the realisation the galaxy has problems outside the first order. She's kinda everything wrong with the sequel trilogy, she looks really cool and everyone's really excited to see her character.

But then in the first movie she does literally nothing, then in the second movie her character is scrapped and we were all wondering why she was a character to begin with. A character who has very little screen time, doesn't do a great deal and is mainly popular because of how they look????? General Grievous has quite a lot of screen time compared to your other examples though. He was an alright villain imo. The film just failed to develop him however. Fett, Maul, and Grevious all actually did stuff in their films, and their characters were looming presences and legit threats to the heroes.

Nothing about her is intimidating, or threatening. She just showed up randomly to get her ass kicked by Finn. Boba Fett was pretty big in the marketing for Empire too.

They introduced him in the christmas special for a reason. People dislike Darth Maul's wasted character and hate Boba Fett's unceremonious death, so the dislike of Phasma's treatment shouldn't be surprising to you. The thing that gets me is all the merchandise and advertisement with her on it. She wasn't even a minor character. She's somewhere far below that. Yet they had a lot of merchandise with her and toys of her. It makes no sense. They did absolutely nothing with her character.

She was a generic, order taking bad guy who died. That might have been the intention. Still poorly executed, though. And the "best line in the whole movie" is "Rebel scum"? Give me a break, it was a cheesy one-liner. Don't even get me started on "chrome-dome". Even the "crystal critters" line. A lot of it reeked of a fourteen year old's fanfic writing.

Everyone I've mentioned this to treats it like nitpicking, but it's all so glaring and winge-inducing. A line I really hated on my last viewing was Rose's "I wish I could put my fist through this lousy, beautiful town. The only thing this did was make me even more disappointed in this part of the movie. The problem isn't really the "plot" itself, much like the peequels, it's the execution. The storyline as scripted and executed just doesn't fit with the rest of the movie.

Everything is rushed and forced just to make a statement about greed and oppression. I think that's a valid statement to be made, it was just poorly executed, took too long, and basically devolved into a Paul Blart Canto Cops distraction from the rest of the movie. Not a silver bullet fix, but with some other execution improvements, Johnson could have gotten his social justice message across, exposed the audience to a new aspect of the galaxy, and not bogged down the film for 30 collective minutes.

The only part of Canto Bight that I liked was Benicio Del Toro, especially when he shows Finn that these so-called horrible patrons of the casino make their money selling to both sides, FO and Resistance. That was like the only part of the movie where I was like "oh shit!

Alright this is reaching BvS level of "You just don't get it man here's a novel that explains it to you". You took the words right out of my mouth. The entire time I was reading this, all I could think of was the part of this Batman v Superman analysis which describes, at length, just how powerful and moving the infamous "Martha!

When people criticize a film which had good intentions, it's seldom because "they just don't get it". It's because they're dissatisfied with the way that the film executed those good intentions.

A film can have the best intentions in the world and still fail if the execution is poor. If backlash gets so bad or is widespread enough that you have to explain it with an essay to mind cannon out the nuances with deep critical analysis and coloring, then that is a sign that it failed whatever it was supposedly going for. The "Rebels" are the remnants of the legitimate government that was wiped out somehow along with the entire Republic Military days ago.

The First Order is not a government, it is a military. My issue with TLJ is that it makes no sense. TFA got a slight pass because of the blitzkrieg approach. Everything happened so fast that it made sense for there to be little to know organized resistance to Starkiller.

The "Rebels" calling for help and being ignored tells me that they are all that remains of the Republic, that Starkiller managed to destroy every scrap of the legitimate government in this sector of the galaxy. No fleets on deployment, no squadrons off planet Every ship except what the Rebels had at that one base was destroyed in a single stroke.

Imaging someone - not another country mind you, a group of nutjobs with a nuke - blew up the US government. Somehow killing every member of the US government at once. What would be the the global reaction? Would the rest of the world sit there and do nothing? The whole premise makes no sense, and the Casino is the least of the issues. To me the issue was the congruence with the universe as a whole.

We've seen rich people many times in cloud city, naboo and other places and never do they wear suits like that scene.

Just felt waaaay out of place. It was hamfisted enough. I've heard fans say the Canto Bight scenes moved too slow, and some say they were too fast. I don't know what would have worked better than what we got tbh. I can almost understand the criticisms, but I can't pin down why I would agree with them. The sequencess worked for me, so I'm not going to try too hard to find reasons to dislike it, and on the other hand the variety of criticisms directed at Canto Bight make it difficult to defend.

The issue I have with it the most is the payoff. They failed but it wasn't a very climatic failure. It made the whole thing feel kinda pointless.

Obviously with Star Wars there are some plot pieces you just have to accept to not truly make sense and be lucky other wise we'd be very nitpicky over everything but this plot's lucky events felt too lucky.

Then nothing has to make sense, because everything can be explained via the force. Are any of them still around? And, seriously, are any of them interested in being a pal to the man who liberated them? The rebels have friends, they just need to show up.

Now that Poe and Rey have finally met, perhaps they might mingle in a decidedly friendly manner. Or perhaps not, with the franchise returning to the kind of low-level romantic entanglements and simmering feelings that made the original trilogy work without slipping into soap opera territory.

Who is this guy? And, perhaps even more intriguing, how did Snoke first find and sway young Kylo Ren, when he was still just a fledgling trainee under his uncle Luke Skywalker? However, the next chapter in the series might have more Jedi to introduce to the world, even if they all possess raw, untrained power, akin to Rey. Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

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I didnt see it like that, and its a valid point. However my main issue with Finn in this subplot was that his character is so inconsistent with his character in TFA. Rose shouldnt have to point out why everthing was wrong on the casino planet. She shouldnt have to point out how the empire uses child slaves. Because Finn WAS a child slave conscripted into the empire.

His whole arc in TFA was breaking away from the first order because it was all that he had known and he saw it as morally wrong. But in the last jedi he conveniently forgets all of this just so Rose can point it out to him.

It doesnt make any sense to me. I could be wrong, but I thought Finn was initially mesmerised by the superficial appearance of the Casino, the glamour, the money, the fun. It wasn't until they walk onto the balcony overlooking the racing track is when Rose explains the whole situation.

It's similar to DJ explaining how both the First Order and Resistance both bought weapons from the arm dealers. It makes sense since he was sheltered within the First Order his whole life.

He wanted to run away from the First Order in TFA until his friendship with Rey grew so strong that he had to go to the base to get her back. He was never a part of the Resistance, he just wanted to get Rey.

He still is being selfish by just thinking about himself and Rey. The casino subplot teaches him to not just think of himself and his loved ones, but all the people who are oppressed. Rose is a true Rebel and Finn learns how to become a Rebel from her. He grows as a character by official declaring himself as a Rebel and willing to sacrifice himself for the cause, not just Rey. I understood everything you've said while I was watching the movie, but at the same time I couldn't bring myself to care about it.

In the first movie we have an attractive woman convince him that it's good to stick with your friends. Then in the second movie we have an attractive woman show him it's good to stand up for your principles. Something to make him more like Han where he's weighing his options on whether he should stay or go.

Instead he's just trying to save his not-girlfriend so we get to watch him do some self discovery to get his own motivations.

DJ showed more internal conflict when he said "Maybe," than Finn did the whole film. I really liked Boyega in Attack the Block and I hope he gets a badass arc in the next movie, but he's far and away my least favorite of the main characters now.

In TFA he isn't coming around the Resistance. He's actively trying to run away from it. He's just trying to save Rey because she is the first person he's ever met that has treated him like a real person. He explains this himself in TFA.

In the future, read the other replies and see if someone else already said what you wanted to say. He was going to melt before he accomplished anything. His speeder was barely moving, which is how Rose was even able to catch him. I honestly think people misinterpreted that scene on purpose to justify further hatred of Rose. Not that I loved her but it really surprised me how much people straight up despise her. It was pretty heavily implied with his melting ship that his sacrifice was going to be a pointless one, which lines up with Poe's leadership arc and the difference between a meaningful sacrifice and badly thought out heroics.

I didn't really hate Rose until that scene. That scene made me look back on all her other scenes as much worse retrospectively. Easily one of the worst scenes. The writing was prequel-esque cheesy. Especially that clunky monologue - Rose may as well have broken the fourth wall and looked at the audience while she delivered it.

Nah, I don't think a lot of people are willfully getting details wrong; that sort of thing usually works in movies. But the casino planet wasn't run by the first order, it was just a planet of rich people wasn't it? So she wasn't pointing out the first order had slaves, and for him it was the realisation the galaxy has problems outside the first order.

She's kinda everything wrong with the sequel trilogy, she looks really cool and everyone's really excited to see her character. But then in the first movie she does literally nothing, then in the second movie her character is scrapped and we were all wondering why she was a character to begin with.

A character who has very little screen time, doesn't do a great deal and is mainly popular because of how they look????? General Grievous has quite a lot of screen time compared to your other examples though. He was an alright villain imo. The film just failed to develop him however.

Fett, Maul, and Grevious all actually did stuff in their films, and their characters were looming presences and legit threats to the heroes. Nothing about her is intimidating, or threatening. She just showed up randomly to get her ass kicked by Finn. Boba Fett was pretty big in the marketing for Empire too. They introduced him in the christmas special for a reason. People dislike Darth Maul's wasted character and hate Boba Fett's unceremonious death, so the dislike of Phasma's treatment shouldn't be surprising to you.

The thing that gets me is all the merchandise and advertisement with her on it. She wasn't even a minor character. She's somewhere far below that. Yet they had a lot of merchandise with her and toys of her. It makes no sense. They did absolutely nothing with her character. She was a generic, order taking bad guy who died.

That might have been the intention. Still poorly executed, though. And the "best line in the whole movie" is "Rebel scum"? Give me a break, it was a cheesy one-liner. Don't even get me started on "chrome-dome". Even the "crystal critters" line. A lot of it reeked of a fourteen year old's fanfic writing. Everyone I've mentioned this to treats it like nitpicking, but it's all so glaring and winge-inducing. A line I really hated on my last viewing was Rose's "I wish I could put my fist through this lousy, beautiful town.

The only thing this did was make me even more disappointed in this part of the movie. The problem isn't really the "plot" itself, much like the peequels, it's the execution. The storyline as scripted and executed just doesn't fit with the rest of the movie. Everything is rushed and forced just to make a statement about greed and oppression.

I think that's a valid statement to be made, it was just poorly executed, took too long, and basically devolved into a Paul Blart Canto Cops distraction from the rest of the movie. Not a silver bullet fix, but with some other execution improvements, Johnson could have gotten his social justice message across, exposed the audience to a new aspect of the galaxy, and not bogged down the film for 30 collective minutes.

The only part of Canto Bight that I liked was Benicio Del Toro, especially when he shows Finn that these so-called horrible patrons of the casino make their money selling to both sides, FO and Resistance. That was like the only part of the movie where I was like "oh shit! Alright this is reaching BvS level of "You just don't get it man here's a novel that explains it to you". You took the words right out of my mouth. The entire time I was reading this, all I could think of was the part of this Batman v Superman analysis which describes, at length, just how powerful and moving the infamous "Martha!

When people criticize a film which had good intentions, it's seldom because "they just don't get it". It's because they're dissatisfied with the way that the film executed those good intentions. A film can have the best intentions in the world and still fail if the execution is poor. If backlash gets so bad or is widespread enough that you have to explain it with an essay to mind cannon out the nuances with deep critical analysis and coloring, then that is a sign that it failed whatever it was supposedly going for.

The "Rebels" are the remnants of the legitimate government that was wiped out somehow along with the entire Republic Military days ago. The First Order is not a government, it is a military. My issue with TLJ is that it makes no sense. TFA got a slight pass because of the blitzkrieg approach. Everything happened so fast that it made sense for there to be little to know organized resistance to Starkiller. The "Rebels" calling for help and being ignored tells me that they are all that remains of the Republic, that Starkiller managed to destroy every scrap of the legitimate government in this sector of the galaxy.

No fleets on deployment, no squadrons off planet Every ship except what the Rebels had at that one base was destroyed in a single stroke. Imaging someone - not another country mind you, a group of nutjobs with a nuke - blew up the US government. Somehow killing every member of the US government at once. What would be the the global reaction?

Would the rest of the world sit there and do nothing? The whole premise makes no sense, and the Casino is the least of the issues. To me the issue was the congruence with the universe as a whole. We've seen rich people many times in cloud city, naboo and other places and never do they wear suits like that scene. Just felt waaaay out of place. It was hamfisted enough. I've heard fans say the Canto Bight scenes moved too slow, and some say they were too fast. I don't know what would have worked better than what we got tbh.

I can almost understand the criticisms, but I can't pin down why I would agree with them. The sequencess worked for me, so I'm not going to try too hard to find reasons to dislike it, and on the other hand the variety of criticisms directed at Canto Bight make it difficult to defend.

The issue I have with it the most is the payoff. They failed but it wasn't a very climatic failure. It made the whole thing feel kinda pointless. Obviously with Star Wars there are some plot pieces you just have to accept to not truly make sense and be lucky other wise we'd be very nitpicky over everything but this plot's lucky events felt too lucky.

Then nothing has to make sense, because everything can be explained via the force. I felt so relieved once they got off that island, I was getting pretty bored of it by then. Just the same location for too long. Canto was a bit pointless but I still enjoyed watching it. You can advance the plot AND develop characters at the same time. If you need to bring the entire film to a halt to develop two characters then that's just bad writing.

The entire sequence felt like filler episode of the Clone Wars. I get what the point was. I just hated that how it was played out and had no impact on the plot.

Coupled with the weird out of place aesthetic of the casino and the ridiculous escape scene, it was the worst part of the movie. The worst part for me is that in order to force this casino sequence we are supposed to acknowledge that the First Order, a hugely powerful militaristic force on the brink of controlling the entire Galaxy, cannot for the life of them call up some ships to blow up a transporter which is somehow faster than them, and will instead prefer to pursue them for over 16 boring hours.

Flynn and Rose manage to visit the casino, get locked up, escape and fly back to the Supremacy and somehow the First Order can't get some faster ships to join them and blow up a transport carrying the entire leadership of the Resistance including Leia? It makes zero sense. It's like, all about socialism like crushing the evil capitalistic American empire, and the animals are like totally the spirit of gaia living on in the hearts of the agricultural class at they like overthrow the rich If you can cut an entire subplot from the movie and it doesn't change a single thing about the outcome then I don't care how many words you try and use to dress it up.

It just doesn't work. It was totally redundant. Were it removed I would probably have forgiven everything else wrong with the film. Perhaps even to his grandson, the dastardly Kylo Ren, who seems to have completely missed the message his beloved grandfather was trying to deliver during his own dying moments: Kylo has long been fixating on the evil blood coursing through his veins, a short-sighted read on what it means to be a Skywalker if there ever was one.

General Hux Domnhall Gleeson will likely continue to push back on Kylo when he can, maybe even to the point where he gathers his own army to rally against their unpredictable de facto leader. With Supreme Leader Snoke dead, other evil-doing Dark Side types might even attempt to toss out Kylo Ren, who has so far been unable to gather any loyal supporters to form anything so much as resembling friends or even just counselors. What happened to those other Jedi trainees that Kylo took off with after his universe-changing battle with his one-time Master Luke?

Are any of them still around? And, seriously, are any of them interested in being a pal to the man who liberated them? The rebels have friends, they just need to show up. Who is this powerful Snoke Andy Serkis , who is responsible for the whole struggle with the First Order?

None, save Luke alone — and then only by long-distance call. The idea, perhaps, is that everyone must shed the past and take the reins of their own destiny. But the character most articulately championing this theme — that our legacies are to be discarded — is Kylo Ren, for whom it has justified wholesale slaughter and patricide.

Perhaps the repetition of this theme creates a sinking feeling for longtime fans because we worry that writer-director Rian Johnson — and perhaps Disney, as it reshapes canon — is saying the same thing about the history and lore of the Star Wars universe. What has been written in these pages needs to be burned so we can start over. We want to learn new legends, even if Luke rejects those now that he is one. But Johnson seems to want to ensure everything that we care about in this galaxy fits inside the Millennium Falcon by the time the film is over.

While this has worried me, I must ultimately admit The Last Jedi in many ways continues the work of The Force Awakens to revive that galaxy and tell exciting new stories in it. We concerned fans might feel like it has made the outlook for the saga as bleak as the outlook for the Resistance when this film ends, but we must, as sci-fi geeks often do, look more closely. But they were there.

But I should have known, based on his history of deceiving Luke, that Yoda was up to something else. He gave wisdom to a fiery Rey and reminded a wizened Luke of his heart, and that allowed them to collectively save the day.

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LastJedi the closing minutes of Rogue One with Vader in the hallway is a million times better than this entire movie. This copy is for your personal non-commercial use only. From a lifelong Star Wars fan? Flashy future of 'Altered' confounds. Darth Maul has already been cut in half once. Worse than an ewok party. Luke come in and kick ass?

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Have the Knights of Ren stage a coo on Kylo but then find out it was Snoke that ordered them to Luke as a force ghost tells rey during the middle of the movie that he always wanted a daughter and he's proud of her as if she was Share This Page Tweet. Three of the most ridiculous scenes ever.. I guess I have another excuse to rewatch and TFA.

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